Toburen,
J., & J. Atkins, B. (1982). Art as a Rehabilitation Counseling Tool for Use
with Persons Who are Mentally Retarded. Journal
of Rehabilitation, 48(2.3),
53-57. doi:April 1, 1982, Retrieved September 20, 2015, from EBSCOhost
Article Title: Art as a Rehabilitation Counseling Tool for
Use With Persons Who are Mentally Retarded
First, please be aware that this article is outdated
(written 1982) in its use of the term ‘Mentally Retarded’. In recent years
there has been a big push to eliminate the ‘R Word’ because it is considered
offensive, so I will continue my response replacing it with Intellectual
Disability.
As the title suggests, the article discusses ways of
incorporating Art into counseling for individuals with Intellectual
Disabilities, and provides a case study that demonstrates how it can work. In the clinical world, art has been
defined as a pictorial representation of an individual’s conscious and
unconscious thoughts that is used to facilitate communication, as well as a
projection of things that might be or ought to be (Toburen, Atkins 1982). For
people with intellectual disabilities, there tends to be difficulty in
verbalizing effectively, so many counselors have incorporated art into their
counseling programs to allow their clients to draw their feelings, thoughts,
and ideas without having to feel held back by their verbal communication
abilities.
In the case study, the counselor worked with a young woman
named Karen who was a high school graduate displaying inappropriate behaviors
including chronic running away, alcohol abuse and physical aggression; she also
showed signs of insecurity and lack of self esteem. In counseling, Karen
initially refused to talk about her feelings, so by the 5th session
the counselor decided to introduce art by laying out a sketch pad and crayons,
and encouraging her to try it out. Next, the counselor remained quiet and only
spoke once Karen initiated conversation. The first picture that Karen drew was
of her with a sad face, standing on a ground-like area, with nothing else in the
picture. The counselor pointed out how isolated Karen looked, and Karen went on
to explain why she had drawn it that way.
From the conversation, the counselor learned that over the
past weekend Karen had gotten drunk while she was out one night, but was afraid
of her parents finding out so she had slept in the woods instead of going
home—she was too embarrassed. This conversation allowed the counselor to see
that Karen had a sense of awareness about herself and the choices she made. In
the next sessions, Karen seemed to open up more and asked to be able to draw
each time, and the counselor allowed it. Sometimes Karen would ask to draw in a
separate room, and then come back to show the counselor and talk about it—which
was also allowed. The counselor gave Karen a lot of freedom in deciding the
format of her sessions and she seemed to really benefit from it. By the end,
Karen was initiating all conversations about her art and feelings, and would
even discuss it as she was drawing.
Her pictures also evolved from images of isolation to more bright,
detailed, and happy drawings.
In choosing articles to discuss in
my posts, I’ve really tried researching the connections between the topics and
art because that is what I am most passionate about. I really enjoyed reading
this article because it gave me ideas to use in my art classroom to better help
my students, and get a sense of who they are. My overall theme since I started
teaching has been “Reflections of You” and I try to create art lessons that
allow students to share a bit of themselves in their work, so I would love to
try an activity that allows students to illustrate whatever they are feeling
and either share it with the group, or just with me as a journal entry.
The article was useful because it provided background for its
purpose, included a case study to provide evidence that their purpose is valid,
and then ended with how readers can put this information to use. I appreciate that this article points
out that not all counselors are qualified enough to use art in their sessions, and
provides qualifications that professionals should have in order to effectively do
so which includes the following: (1) Having an interest in and dedication to
effectively use art with clients for the purpose of personal adjustment, (2) Experience
and professional traning in art and its techniques, (3)Experience working with
art and disabled individuals, (4) Experience and training in art therapy.
Overall, this article was very informative and helpful to support the argument
of art as a means for rehabilitation for individuals with intellectual
disabilities.